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Several other reviewers shared a similar sentiment.

I also wanted to use Dara to animate one of my other inspirations for the book—the way women judge other womens desires.INTERVIEWERI wish Id had a glamorous teacher! My ballet teacher was very plain and just incredibly unforgiving.

which is a really brilliant way to get at the menace and greed thats so prevalent in our real estate–obsessed culture.I remember our teacher assuring us the light would hit the netting inside and it would look very dramatic! But I was also just old enough to sense a slightly queasy feeling among a few parents.ABBOTTIve always thought that was one of the most compelling things about teaching—how you can see versions of yourself.

Abbott began to write about the violence of seemingly all-American girls in seemingly all-American suburbs.she wrote and coproduced a television adaptation of her novel Dare Me and is now doing the same for The Turnout.

These kinds of characters feel less subversive because they are so common in popular films and books—which is a fraught evolution.

It can be dangerous—as in The Prime of Miss Jean Brodie—but I suppose it can save someones life.Or do you mean the one has turned into the other in the way that everything gets watered down? Last years evasive.

noting that how a dancer prepared her pointe shoes was a ritual as mysterious and private as how she might pleasure herself.It can be dangerous—as in The Prime of Miss Jean Brodie—but I suppose it can save someones life.

Abbott has also always struck me as akin to an anthropologist; she not only explores the hidden subcultures of teenage girls but reveals the coded language and shared ethos of their cliques and sects.she wrote and coproduced a television adaptation of her novel Dare Me and is now doing the same for The Turnout.